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Three artists—each working with choreography in distinct ways and regularly invited to work within the space of the gallery—share their experiences of presenting work of a choreographic nature within the white cube. Whether programmed as a commission, intervention, exhibition, performance or event, the works of these artists have challenged how museums produce and present art. In what way can institutions be more adaptable to artists whose work falls outside the modes of artmaking traditionally held in such institutions? How can artists learn to better navigate the institution and advocate for their practice? These case studies identify the points of tension between artist and museum, and suggest how they might be overcome.
With support from the Australian Research Council through research and commissioning partner Precarious Movements: Choreography and the Museum, a research project hosted by University of New South Wales, with Art Gallery of New South Wales, Monash University Museum of Art, National Gallery of Victoria, Perth Institute of Contemporary Arts and Tate.
Copyright holderMonash University Museum of Art (MUMA)
Digital Collections | Library (2nd Oct 2025). MUMA Precarious Movements Conversations 1. In Website Digital Collections | Library. Retrieved 15th Feb 2026 19:24, from https://digitalcollections.library.unsw.edu.au/nodes/view/171769